In almost all my works, music is alive as a condition of thinking. I noticed this by observing them. I think it is because music is a way to exist and because music is sound that is the only condition that survives the inexactness of space and time. Sound and rhythm, too: that of the heart that of the breath…. For always striving for a condition of harmony not outwardly but because it is the mathematical and proportional sense of spaces, I have always thought in music until I realized that for who knows how long both in the titles and in the need to use sounds as an element of connecting spaces and forms there was always music in each of my constructions in this section there is Gesualdo da Venosa’s Hallenbad Backstage or the sound of breathing like the sound of the wind in Consuetudines at Certosa di Padula.

When I was asked to curate a section of the Milano Design Film Festival for me it was immediate and Natural to propose Music and Architecture: Istvan Anhalt translating the facade of a Cathedral into a musical score, Steven Holl responding by translating a score by Anhalt into a plan drawing. Music not as an accompaniment to works but as ways of thinking. Precisely because it is space of the mind, better yet: place of interiority Even earlier, during the work of the study group A New Narrative for Europe, wanted around Europe by Manuel Barroso during his presidency , and to which I was invited to contribute, my contribution had still gone there. Around Music
The planets are playing…now I look around me and see music in every one of my works: either suggested or expressed..all the way to Thinkerbell Thinkerbell and beyond still. Always, And I could go on and on.